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Sunday, February 20, 2022

Antivax Influencers Focus on Mothers

Reports suggest that mothers bear the primary responsibility for decisions regarding their children’s health (Kaiser Family Foundation, 2005), including the decision on whether to vaccinate their children (Petts & Niemeyer, 2004). There is a common assumption that suburban mums represent a significant proportion of anti-vaccine advocates. Beliefs of this kind are perpetuated by the media. For example, during the pandemic a series of headlines explicitly identified mothers as responsible for spreading medical misinformation: what was referred to as ‘Pinterest moms’ (Winter, 2020), ‘Whole Foods moms’ (Lubrano, 2019) and ‘QAmom’ (Dickson, 2020). While there is a rich body of literature on the social determinants of parental decision-making on childhood vaccination, less attention has been paid to the ways in which mothers are strategically targeted by anti-vaccine advocates. In this article we compensate for this neglect by examining how the maternal is appealed to, and represented, by anti-vaccine advocates online during the pandemic. This is achieved by analysing the communicative techniques used by a series of high-profile anti-vaccine influencers, referred to as the ‘Disinformation Dozen’, on Instagram for 19 months from 1 January 2020 to 31 July 2021. Our findings reveal the ways these influencers strategically attempt to appeal to mothers as the subject and object of anti-vaccine content online, questioning the common assumption that suburban mums are solely responsible for the decision not to vaccinate their children.
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In a retracted paper in The Lancet, Andrew Wakefield and his colleagues falsely claimed that there was a connection between the MMR vaccine, autism and bowel disease. The paper propelled Wakefield to notoriety and reignited the anti-vaccine movement (The College of Physicians of Philadelphia, 2018). Wakefield’s paper was one of many contributors to the anti-vaccine movement; the key difference is that his study received widespread media attention (Berman, 2020), coinciding with the advent of the search engine, Google, and the rise of the global internet. Although Wakefield was struck off the medical register in Britain in 2010, he remains a prominent figure of the anti-vaccine movement today, directing films that question the safety of vaccines and the intentions of the government and pharmaceutical industry, harnessing social media to build and sustain a loyal online following.
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Anti-vaccine advocates also appeal to public fears about vaccine ingredients as ‘artificial’ and ‘harmful’ (e.g., the mercury-based preservative, Thiomersal) by implying a causal link between vaccines and autism. Many of these online marketing campaigns deliberately target mothers as the primary caregivers of children. Anti-vaccine messaging is also amplified on social media by influencers, who pursue fame online as a vocation for profit (Baker, 2021).
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In addition to his highly publicised MMR study, Wakefield has produced and directed a series of films, including Who Killed Alex Spourdalakis (2015), Vaxxed (2016) and 1986: The Act (2020), all of which purport a connection between vaccines and autism. Instagram was chosen as the site of data collection as this was – at the time of data collection – the main platform used by these influencers. The site’s algorithm also actively recommends COVID-19 vaccine misinformation (CCDH, 2021a). The images shared on Instagram serve as powerful modes of persuasion that are often difficult to regulate (Baker & Rojek, 2020).
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In addition to these personal anecdotes, hashtags are commonly used to extend audience reach. This is achieved by associating anti-vaccine messages with popular protest movements, such as Black Lives Matter. For example, theories of medical racism, which draw attention to the racist policies and practices that historically informed the medical academy (e.g., unequal access to health care, the segregation of medical facilities and involuntary medical experimentation on racial minorities – see Nuriddin et al., 2020), began to circulate on Andrew Wakefield’s account on 2 June 2020, a week after George Floyd was killed. Several of Wakefield’s posts in the following week drew on this theme of medical racism to encourage vaccine hesitancy by claiming that the government is ‘endangering’ black children via vaccination despite knowing that ‘African American boys are 236% more likely to be diagnosed with autism when vaxxed with MMR’. The theme of medical racism, which is presented as ‘the new apartheid’, was also employed by Kevin Jenkins and Robert F. Kennedy Jr., before Kennedy’s Instagram account was suspended. While the issue of medical racism appeared to have limited impact, Wakefield’s association of anti-vaccine content with the Save the Children charity proved to be more effective in extending audience reach. From the 3 May 2021, Wakefield hijacked the #SavetheChildren, #SaveourChildren and #SavetheBabies hashtags to promote his new film, 1986 – The Act. This resulted in a significant increase in engagement with likes on subsequent posts using these hashtags more than doubling from 1171 to 2990. The #SavetheChildren hashtags not only made Wakefield’s posts more discoverable, they associated the anti-vaccine movement and the Save the Children movement as common efforts to protect innocent children from harm.